After watching the interview I did with my grandad, I realised that he looks at the other side of the camera. This was due to the camera being on the left side and him having to look to the right because of the space in the house and couldn’t go as planned. I should’ve gone and practised before I filmed the real thing and sorted it out. This room was the best place to film as well because of the lighting and it being the most quiet.
I have decided to make it as a voiceover when it comes to his part rather than have him in the shot and have to film it again. I will have archive footage over what he is saying and the shots I have already filmed of Anfield. I am doing this so I still have his part in the product rather than cutting his part out completely. I am not cutting the interview out because I want the audience to know what it was like back in the 1950s-1970s by someone who experienced it rather than hearing it from a voiceover that has read it from a script that hasn’t actually experienced.
If I don’t have enough cutaways when it comes to editing, I will have to edit the shot so it goes fits within the conventions of a direct interview.
I will get images of my grandad from when he was younger growing up in Anfield and his school, class and where he lived so I don’t run out of things to have over the whole voiceover. I will also use archive of Anfield years ago I will have to get online and I will cut down his interview and make it as short as I can and have the most relevant points he says in it.
I have listened to the interview and the audio is loud and clear so it would still be perfect for me to use as a voiceover.
I will have his interview after Frank has finished speaking and I will have it right after Frank has spoken about the Anfield project that took place in 2008 so it moves slowly to my grandad speaking.