Today I had my interview with Paul McDonough, we discussed music in the city and what he did. I used him as the interviewee for the music part in the documentary to discuss when music first started, The Beatles and different artists, he discussed skiffle groups, mersey beat, what effect music had on the city and has favourite musician from Liverpool and why.
I set up the camera on his right side so he wasn’t looking at it and was looking at me who I was next to the camera and he was looking forward and we were on the same eye line. I got this idea from the existing documentaries I had looked at prior to filming my interviews.

It was filmed right next to the window so there was enough light in the room and it brightened up the whole room, this is natural light and will stay like this in the finished product. There was another big window on the other side of the room which brightened it up. The room was also all white so there was nothing dark so it was more balanced on both sides of his face.
I filmed the whole interview as a mid shot so we could see his body language, his hand movements, his face for emotion. This shot shows the background of the location so the audience have an idea where we are and the audience can tell we are in a house and the interviewee shows that he is very comfortable where he is as he is sat on a couch and looks very comfortable. The camera was positioned on the right side of the contributor and he is looking ahead so he isn’t looking at the camera so it isn’t a direct interview; I got this idea from watching existing documentaries and this it looks like he is talking to someone behind the camera who won’t be on camera so it is like the interviewee is putting it together along with the other interviewees and the voice over.
I had a clip on mic that we put on his shirt that plugs into the camera and the audio is perfect, we can’t hear anything around us and we can only hear the interviewee and everything he says. The audio is really clear and isn’t muffled and when he moves it doesn’t pick it up.
I will have Cutaways over this interview of the music scene so the audience will know what is being spoken about like Mathew Street, Seel Street, and other music bars and venues. I will also use archival footage over the interview rather than just having the interview alone.

These are the questions I asked Paul, he gave some information on what he does and who he is so the audience know who he is and why he is in this part of the documentary. I asked him to give some history and the background of the music in Liverpool then about mersey beat, skiffle groups and the effect music has had on the city. I would ask follow up questions to a previous answer if I wanted to know more. The interview lasted longer than I had intended because of the follow up questions but they will explain a lot more in the documentary. I need to go out and get some shots to go over his interview mainly Mathew Street because he speaks a lot about that part of town and with that being part of Liverpool’s biggest music scenes.
I got my ideas for the questions I asked Paul from when I did my research on the music culture in the city in my Music of the City blog. I used all the information I got and what I already knew and what I needed to know the most and put them into questions and then when it comes to editing I will cut it down and put the most crucial information in it.
I had Paul sign a contributor release form which is a form that the contributors have to sign giving their permission to star in my production. I got Paul to sign it to show that I have had his permission to use him in my work. The location release form I got him to sign as well as we filmed in Frank’s home and had him sign it for his permission to film there.








