Interview and question list with Paul McDonough

Today I had my interview with Paul McDonough, we discussed music in the city and what he did. I used him as the interviewee for the music part in the documentary to discuss when music first started, The Beatles and different artists, he discussed skiffle groups, mersey beat, what effect music had on the city and has favourite musician from Liverpool and why.

I  set up the camera on his right side so he wasn’t looking at it and was looking at me who I was next to the camera and he was looking forward and we were on the same eye line. I got this idea from the existing documentaries I had looked at prior to filming my interviews.

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It was filmed right next to the window so there was enough light in the room and it brightened up the whole room, this is natural light and will stay like this in the finished product. There was another big window on the other side of the room which brightened it up. The room was also all white so there was nothing dark so it was more balanced on both sides of his face.

I filmed the whole interview as a mid shot so we could see his body language, his hand movements, his face for emotion. This shot shows the background of the location so the audience have an idea where we are and the audience can tell we are in a house and the interviewee shows that he is very comfortable where he is as he is sat on a couch and looks very comfortable. The camera was positioned on the right side of the contributor and he is looking ahead so he isn’t looking at the camera so it isn’t a direct interview; I got this idea from watching existing documentaries and this  it looks like he is talking to someone behind the camera who won’t be on camera so it is like the interviewee is putting it together along with the other interviewees and the voice over.

I had a clip on mic that we put on his shirt that plugs into the camera and the audio is perfect, we can’t hear anything around us and we can only hear the interviewee and everything he says. The audio is really clear and isn’t muffled and when he moves it doesn’t pick it up.

I will have Cutaways over this interview of the music scene so the audience will know what is being spoken about like Mathew Street, Seel Street, and other music bars and venues. I will also use archival footage over the interview rather than just having the interview alone.

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These are the questions I asked Paul, he gave some information on what he does and who he is so the audience know who he is and why he is in this part of the documentary. I asked him to give some history and the background of the music in Liverpool then about mersey beat, skiffle groups and the effect music has had on the city. I would ask follow up questions to a previous answer if I wanted to know more. The interview lasted longer than I had intended because of the follow up questions but they will explain a lot more in the documentary. I need to go out and get some shots to go over his interview mainly Mathew Street because he speaks a lot about that part of town and with that being part of Liverpool’s biggest music scenes.

I got my ideas for the questions I asked Paul from when I did my research on the music culture in the city in my Music of the City blog. I used all the information I got and what I already knew and what I needed to know the most and put them into questions and then when it comes to editing I will cut it down and put the most crucial information in it.

I had Paul sign a contributor release form which is a form that the contributors have to sign giving their permission to star in my production. I got Paul to sign it to show that I have had his permission to use him in my work. The location release form I got him to sign as well as we filmed in Frank’s home and had him sign it for his permission to film there.

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End of week 12 reflection

This week, I have created a blog on how to Filming interviews with one camera for preparation for filming my interview earlier this week. I have looked at a website online which gave tips on filming an interview with one camera and looking at the angles, the lighting, the shots and the microphone but also focusing on the contributor. I applied all of these when I filmed my interview this week.

I also created a new Revised Schedule for film dates for when I create my call sheets and for when I go out filming because the dates of my filming have changed for when I go out filming since my production schedule at the very  beginning of this project.

I then created a Location recce and risk assessment – filming cutaways around Liverpool City Centre and what I needed to look out for when filming. I created a location recce to let my teachers know where I will be that day, what I have access to and the suitability of the location. The risk assessment was created for for the risks that may take place when I go to film in different areas.

I then arranged the interview with Frank that same day and had the screenshot of the text message with the details of where and what time to meet.

I then created a Location Recce and Risk Assessment for filming in Frank’s flat before the interview. I then wrote a blog on the location recce and risk assessment and explained the importance of creating these forms and what I as the director and producer should do to prevent these risks and lets them know the contact details and the locations what there is access to.

On the same day, I went out to film my cutaways for my documentary. These shots will be used right throughout my documentary under the voice over to fill blank pieces and then also over the interviews rather than just having the interviewees on the screen and this technique helps the audience understand and be able to see what they are talking about.

Before I filmed my interview with Frank, we had a Focus Group on what we will discuss in the interviews and what questions I will ask him, this was really helpful when it came to doing my interview.

I created a blog on the Interview with Frank Carlyle and analysed it right through. I spoke about the different techniques used in it including the shots, the lighting, the angle and how I set the camera up and the location in the room. This interview is important because I need it as the baseline narrative which helps me with what interviews and cutaways I need from this.

After watching the interview with Frank over, I realised that the eye line wasn’t right  as he kept looking away from me so I created a Having to film interview with Frank again with the problems throughout the interview so I arranged to have another interview with him. I messaged him asking if it was okay to redo it and he agreed.

The last thing did this week was Arranging interview with Paul McDonough who is a musician from Liverpool who I will be using as the interviewee for the music section in my project. I will be interviewing him next Monday at Frank’s house again. I put a screenshot of the messages of where to meet and the time.

Paul McDonough – musician

Paul McDonough is the musician I will be interviewing for the music segment in my production. I have asked him to send me some information on himself so I can get more of an idea of who he is and what he does. He has sent me a link with a bit about himself.

He was born in Liverpool and graduated from Art School then began a career in music and toured in Great Britain with his original music and covers from established artists. He then had songs published and the beginning of a lifelong recording career.

He joined The Beatles Cavern in the late 1990s  and started a long, successful history playing the part of John Lennon.

A move to The Backbeat Beatles brought theatre tours, headlining on cruises, adding arenas and festivals like Glastonbury throughout the world to his experience.

Dropbox. (2019). Paul McDonough Bio..pages. [online] Available at: https://www.dropbox.com/s/fn18080k3hi2gks/Paul%20McDonough%20Bio..pages?dl=0 [Accessed 27 Apr. 2019].

In my Sorting soundtrack blog, I have my evidence from Paul to use an original song of his to use throughout my documentary, we settled on Wild Heart. This covers me from any copyright issues that may arise from this video being uploaded on the internet, I spoke about this in my Legal and ethical constraints and Copyright Considerations.

Arranging interview with Paul McDonough

When I interviews Frank, I told him who else I wanted to interview and he suggested Paul Mcdonough who is a musician from Liverpool who has been making music since he was 15 years old. He came over to Frank’s house to film because we were going to film somewhere where the mise en scene would match the topic which was music but he was featuring on Frank’s radio show so we agreed it would be easier for me to interview him there.

Frank messaged him for me and said he agreed to do the interview and that we could do it on the Monday and meet at his for 5pm which we did.

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Having to film interview with Frank again

I have looked over the interview with Frank and I noticed that he didn’t look near the camera the whole time so the shot didn’t look right at all. The lighting was also quite dark.

I put the camera on the right side of him and he looks over on the right so it looks like he is talking to someone behind him and looks on the left to him.

I will have to go out and film it again and do the interview over. I have messaged Frank asking if it was okay to do it again and he agreed to do it again and has given me permission to go to his house again to film. I will be going to his house next Friday at 2:30 to film it again. I will also go out on that day to do some filming in town to get my cutaways.

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Contributor Release Form – first interview

I got Frank to sign a contributor release form because he is contributing to my documentary. This form is for the contributor to sign so he is agreeing with the recording and communication to the public and giving their consent to my production. They are also assigning to the copyright used in their contribution. They have given me permission to allow me to cut and edit the production how I want whether it is cutting some of their parts out or them being completely cut out of the whole thing.

I then got him to sign the location recce as it was recorded at his home. The form is to confirm an agreement that all rights in the film and recordings will be taken by me and used in my production. Agree to make any temporary changes, additions and alterations in and to the property and everything will be restored after filming.

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Interview with Frank Carlyle

Today, I interviewed my main interviewee, Frank Carlyle who is the historian who gives the background information on the docks and the regeneration projects in Liverpool.

I set up the camera next to the light so it was facing the interviewee, the shot was a mid shot of him which is the most common shot in these types of interviews. we set the microphone by clipping it onto his t shirt so the audio was loud and clear. I got the background in as well which was many pictures of Liverpool which suits the interview and the documentary perfectly as it is on the culture of Liverpool.

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I got my question ideas from my research and from also doing a Focus Group with Frank about an hour before filming. We came up with the questions when we discussed the topics from my research and decided to focus on the history of the docks and also the regeneration projects within the city but I have discussed in my focus group blog.

The first question I asked was ‘why did the Albert Dock opened in 1846’ which is what the documentary will open with as it is probably one of the most iconic places in Liverpool and I wanted to give information out on why the docks were built and the purpose.

I then asked what role did the docks play in the war, I wanted to know this because I want the audience to know the reason behind the docks and that they played other roles as well as just the trade with the rest of there world.

I then went on to asking about the benefits for the city since the docks were developed which I wanted to know because I wanted some of the good things about Liverpool and the benefits of the city rather than just having history on it.

I asked about the regeneration of Liverpool One, I wanted this because I know it was the most successful project in the city and I wanted to also know what the benefits of the city was since the project.

I then asked the last question which was about the regeneration of Anfield and how the project benefited the city and the residents. I asked this last because I will then go onto my next interview which is a family member of mine who lived in Anfield and grew up there and what it was like and the conditions they had to live in.

The questions I had wrote to ask Frank were all influenced by the research I had done on the docks and the history and how they are today. I also got the question ideas when asking about the different regeneration projects in the city from the research I did on Liverpool One regeneration and the Anfield Project in Regeneration of Liverpool.

Focus Group

Today, before I had my interview with Frank, we discussed what we will talk about and what questions I will ask him in the interview that we film later.

I showed him he different types of research on the docks, the iconic attractions and the music, football and art culture.

We decided that we were going to talk about the Albert Dock opening, what role the docks played in the war and why the docks are one of the most iconic attractions in Liverpool. We decided to focus a lot on the docks as they are one of the most popular attractions in the city and hold a lot of history.

We then decided to talk about some of the regeneration of Anfield and Liverpool One which we discussed and he had a lot of knowledge of the subject so we put them into the questions as well. This was also because I am going to do interview my grandad who will be talking about growing up in Anfield so it can go from Frank to talking about the Anfield project to my granddads talking about Liverpool.

Practise Shots

Today, I went into Liverpool City Centre and got some practise shots of the city for my cutaways so when I go back I will know what I want to get footage of and choose what shot is the best for me.

The first shot I got was in Liverpool One where I will talk about in the documentary. The interviewee will talk about the Regeneration of Liverpool and I want to get a shot looking down at the people who are walking around shopping and use it over the voice over. I will be getting more shots of this area including Chavasse Park, the shops and the restaurants. I will also have to use archive of Liverpool One before the regeneration.

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I then went over by the M&S Bank Arena and got a shot of that so I knew exactly how I wanted the shot. There will be a section on the Music of the City and the Echo Arena will be mentioned so I know I will have to get some shots of that to put over the person speaking.

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I took these shots so I knew exactly what types of shots I wanted to get of certain areas and why I needed them. I used my research on what I needed to get for when I am doing my proper shots for it.

 

 

Location recce and risk assessment – interview

Tomorrow, I am going to have my first interview for my project and I have created a location recce and a risk assessment to help me prepare for when I film. The location recce gives information out on the location I will be for when I film, contact details, access and more.

The risk assessment is a full examination which will help me with the hazards and risks that are possible when filming and what I as the director needs to look out for and what action I need to take and who is in risk of the accidents.

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